Here's some more mastering work I did. The goal with these tunes were to keep them raw sounding.
Keeping secrets by derekirving
You're Gonna Lose ~The Aces by derekirving
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Representing the best of old technology (analog) and new technology (digital). Mastering Services to help trashy blues bands, rockabilly bands, blues bands, 50's rock n roll bands, surf bands, rhythm and blues bands, etc - basically helping bands who love that raw primitive sound to "GET" that sound after proper mixing. See my full philosophy at the bottom of this page.
The Business Side of Things
All of my mastering is done digitally with Adobe Audition, iZotope Ozone Mastering Suite and with PSP Audio plugins pumped through KRK Rockit studio monitors. The reason I use digital is so I can (1) keep the cost down for you and (2) gives me the best representation of your music which allows more precise mastering. It’s most likely that your recordings will be on the digital medium anyway (CD or digital downloads) so mastering in digital allows me the best way to hear it before people buy it.
Rates and longer samples: Email derekirving1@gmail.com
Your music will need to be in WAV format and sent to me via digigal copy. This can be a CD/DVD, USB stick, harddrive or I can give you a private secured online folder for you to upload too. I’m also a certified GSNA systems/network auditor so I’ll attest that it’s secure.
There will be some paper work for you such as your contact info, expectations of master, mixing engineer contact and confidentiality agreement (stating you own the rights to the music and I’m only mastering the recordings, etc) which can all be handled digitally.
Rates and longer samples: Email derekirving1@gmail.com
Your music will need to be in WAV format and sent to me via digigal copy. This can be a CD/DVD, USB stick, harddrive or I can give you a private secured online folder for you to upload too. I’m also a certified GSNA systems/network auditor so I’ll attest that it’s secure.
There will be some paper work for you such as your contact info, expectations of master, mixing engineer contact and confidentiality agreement (stating you own the rights to the music and I’m only mastering the recordings, etc) which can all be handled digitally.
Blog Archive
About Me
- Derek Irving
- Husband, Father of two strong willed girls, lead guitarist and songwriter for The Aces
DI Mastering Philosophy
So what do I mean by where digital meets analog? It represents the best of old technology (analog) and new technology (digital).
My goal as a mastering engineer is to take your recordings from good to great. My experience is with bands/artists who are dedicated to their craft. So I work with rockabilly bands, blues bands, 50's rock and roll, trashy blues bands, surf, rhythm and blues, etc. Basically I help bands who love that raw primitive sound "GET" that sound. (only after it's mixed properly of course). I can not work magic. The magic is in your performance and songs. What I do comes after your satisfied with your engineer’s mixes. I'll clean up the spacing in songs, put songs in your requested order, add EQ as needed, bring the levels up to match commercial recordings you listen to or want to sound like but most of all help preserve the tones and bring them out of the speakers. My goal is to give you something that you are proud of and is a real representation of your art. This is what I expect when I’m releasing my music.
As recording artists I've recording in various studios over the past 20 years from Fantasy Studios, to small home studios to doing it myself with a laptop and a few microphones. What I've discovered is both mediums have pros and cons and I've heard poor recordings from 2 inch tape on all analog equipment and heard very good digital recordings going onto hard drives. Now I'm a huge fan of both, love analog and love digital when used properly. By that I mean you need to know the limitations of each medium and how to get the best out of them. For example my bands last record was recorded on the digital medium, but we used microphones from the 40's and 50's (tube and ribbon), old fender tweed amps from the 50's and used microphone placement to get a roomy sound. We used minimal isolation on the amps and drums, so while there was a tad bit of bleed we were still able to crank the amps to get the tones we needed. The result was great and more importunately the vibe in the studio was inspiring. About two months prior we recorded at another studio and went to 2" tape. The result was a muffled sound and un-inspiring performances.
So what I discovered is the recording medium (analog vs. digital) is not what makes a recording sound great, it's (1) how much the engineer knows about getting the best sounds out of their equipment, (2) bridging new and old technologies and using microphone placement to create warmth and (3) an inspiring environment for the artists/band to be creative. Now when you combine this with great songs performed with passion and I can master this – you’ll have gold! Or more importantly merchandise to sell and a medium to get your songs heard. Now that’s what it’s all about!
My goal as a mastering engineer is to take your recordings from good to great. My experience is with bands/artists who are dedicated to their craft. So I work with rockabilly bands, blues bands, 50's rock and roll, trashy blues bands, surf, rhythm and blues, etc. Basically I help bands who love that raw primitive sound "GET" that sound. (only after it's mixed properly of course). I can not work magic. The magic is in your performance and songs. What I do comes after your satisfied with your engineer’s mixes. I'll clean up the spacing in songs, put songs in your requested order, add EQ as needed, bring the levels up to match commercial recordings you listen to or want to sound like but most of all help preserve the tones and bring them out of the speakers. My goal is to give you something that you are proud of and is a real representation of your art. This is what I expect when I’m releasing my music.
As recording artists I've recording in various studios over the past 20 years from Fantasy Studios, to small home studios to doing it myself with a laptop and a few microphones. What I've discovered is both mediums have pros and cons and I've heard poor recordings from 2 inch tape on all analog equipment and heard very good digital recordings going onto hard drives. Now I'm a huge fan of both, love analog and love digital when used properly. By that I mean you need to know the limitations of each medium and how to get the best out of them. For example my bands last record was recorded on the digital medium, but we used microphones from the 40's and 50's (tube and ribbon), old fender tweed amps from the 50's and used microphone placement to get a roomy sound. We used minimal isolation on the amps and drums, so while there was a tad bit of bleed we were still able to crank the amps to get the tones we needed. The result was great and more importunately the vibe in the studio was inspiring. About two months prior we recorded at another studio and went to 2" tape. The result was a muffled sound and un-inspiring performances.
So what I discovered is the recording medium (analog vs. digital) is not what makes a recording sound great, it's (1) how much the engineer knows about getting the best sounds out of their equipment, (2) bridging new and old technologies and using microphone placement to create warmth and (3) an inspiring environment for the artists/band to be creative. Now when you combine this with great songs performed with passion and I can master this – you’ll have gold! Or more importantly merchandise to sell and a medium to get your songs heard. Now that’s what it’s all about!
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